Description
| Pars I | |||||
| I | Eliphas Üsher | Enuma Elis | AEÜ ArK. E.DCI (1989) | La Liberazione Di Istar | 03:55 |
| II | Eliphas Üsher | Enuma Elis | AEÜ ArK. E.DCI (1989) | Le Sette Porte Di Irkalla | 03:50 |
| III | Eliphas Üsher | Enuma Elis | AEÜ ArK. E.DCI (1989) | Ereskigal Et Istar | 02:05 |
| IV | Eliphas Üsher | La Legge DCLXVI | AEÜ ArK. E.DCLXVI (1989) | La Lama Del Peccato | 02:20 |
| V | Eliphas Üsher | La Legge DCLXVI | AEÜ ArK. E.DCLXVI (1989) | Malleus Maleficarum | 04:55 |
| VI | Eliphas Üsher | La Legge DCLXVI | AEÜ ArK. E.DCLXVI (1989) | Figlio Della Luna | 01:20 |
| VII | Eliphas Üsher | La Legge DCLXVI | AEÜ ArK. E.DCLXVI (1989) | L’Abbazzia | 03:50 |
| VIII | Eliphas Üsher | Il Grande Arcano | AEÜ ArK. E.DC (1989) | L’Ultima Incarnazione | 08:20 |
| Pars II | |||||
| IX | Mauthausen | Regime D’Odio | AEÜ ArK. E.DCV (1989) | Le Campane Dell’Odio | 04:45 |
| X | Deus Ex Machina | Decembres | AEÜ ArK. E.DCVI (1990) | Tempo Al Tempo | 02:35 |
| XI | Deus Ex Machina | Decembres | AEÜ ArK. E.DCVI (1990) | Occidantur | 03:15 |
| XII | Deus Ex Machina | Decembres | AEÜ ArK. E.DCVI (1990) | Shabda | 00:55 |
| XIII | Eliphas Üsher | Il Grande Arcano | AEÜ ArK. E.DC (1989) | Il Potere Del Serpente | 05:40 |
| XIV | Eliphas Üsher | La Legge DCLXVI | AEÜ ArK. E.DCLXVI (1989) | I Dicembre 1947 | 00:35 |
| XV | Eliphas Üsher | La Legge DCLXVI | AEÜ ArK. E.DCLXVI (1989) | To Mega Therion | 02:45 |
| XVI | Deus Ex Machina | Decembres | AEÜ ArK. E.DCVI (1990) | Ludus I | 00:30 |
| XVII | Deus Ex Machina | Decembres | AEÜ ArK. E.DCVI (1990) | Pistis Sophia | 04:25 |
| XVIII | Deus Ex Machina | Decembres | AEÜ ArK. E.DCVI (1990) | Ludus II | 00:40 |
| XIX | Deus Ex Machina | Decembres | AEÜ ArK. E.DCVI (1990) | Homo Fragilis | 04:30 |
Concepito e realizzato da Eliphas et Pia Üsher.
Registrato tra Novembre e Dicembre; Compilato e Missato negli studi IÖR nel mese di Dicembre 1990.
Supervisionato e prodotto dall’Akkademia Ɛsoterica Üsher
Catalogato dall’ Industrial Ölocaust Recordings (TK.II)
Aere Perennius
SoftWatch (1991) –
Again a deep, bassy minimalism. However this tape is a lot more accessible than “MCMXC” – it has ‘tracks’, and the sound’s a little easier on the ear (although turning up the volume does nasty things to the viscera!). They manage to access that rich, deep sound usually only found in cinema sound systems, the sort which vibrates through your seat & up your legs & sets your diaphragm a-humming. It becomes quite sinister in parts – the lack of vocals dehumanising it, adding strangeness to strangeness. It’s not unlike POPUL VUH in their most minimal, atmospheric mood, Keep an eye on these: they’re obviously nonconformist in the most positive way. Oh, and be prepared to replace your speakers – this stuff is lethal!